Artist's Statement:
“It was thought
till now that there is no flexibility in watercolor medium, no change could be
made, and it’s a very hard and difficult medium. An artist is trapped in its
boundaries.
I have
condemned this philosophy, my work proves that watercolor is a very flexible
medium: I can mould
my paintings as I wish to, such as changing cold colors to
hot or hot to cold and back again at once, and
other elements such as
textures, lines, shapes, light etc., with keeping up its transparency. My
compositions
are widely rated for their vividness, veracity, rhythm, almost
poetical rapture and transport, easily conveyed by a superb sense of design.
Still focusing on the local female figures, images are characterized by an
explosion of colors as the vibrant hues of nature spill out of the boundary of
their forms and weave complex web of colors, colors splattered, splashed and
washed through the dense background jungle. Looking at my artwork, it can clearly be
seen that I go to the soul of my figure, i.e. a Thari woman and matka
(pitcher). People of Thar have traditional features, attractive dresses and
thousands of years old unique heritage of Indus Civilization, which makes them
different from others. I chose pitcher along with a Thari woman as fetching
water, which is seen by the splashes of paint at starting, usage of latest
watercolor mediums and chemicals. Likewise, sizes mean nothing to me. I
usually paint paintings of sizes 29”X42”, 21”X29”, 42”X62”, 42"X90" and
14.5”X21” (Sketches)."
Studio in Karachi, Pakistan
Studio in New York
Studio in Canada, Exterior and Interior